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The words "crypt" and "mausoleum", while technically accurate, don't convey the impact the buildings have in Recoleta. An individual person's grave can be appreciated on it's own, but the true power of the place comes from the aggregate effect of groups of buildings. The density is extraordinary, with lines of massive one of a kind buildings packed side by side like row houses. The paved walking paths intersect in a perfect grid making the place seem like an urban city center. With various designs suggesting churches, banks, municipal buildings, storefronts, and even commercial office space, the conventional distinctions between a living and dead city break down. Functional doorways, some even open(!), are especially strong references to normal city buildings. The first image is from a massive, heavy stone crypt and the door was amazing. I don't know whether it was always open or not.

Many of the buildings appear to be family crypts, with space for numerous coffins inside. Some even have multiple levels with stairs going down to basements filled with the remains of an extended family. It's possible that this door was opened to prepare for the arrival of another member of the family?
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A number of the buildings in the cemetery were being worked on when I visited. There were even crews actively working inside a couple I passed. I thought about taking a couple photos of live people inside the crypts, but I got the impression from body language (posture, stares, etc...) that I wasn't welcome to do so. But I did capture some images where equipment was visible inside or the exterior was in modified in some temporary way. This doorway was particularly odd since it looked like someone had fashioned a barrier out of sheet metal and poles, only to have someone try to rip it down. I have no idea what the backstory was, but it did not look like a restful sanctuary.
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I included this shot since I think it does a good job of conveying the city-like organization of Recoleta. The two buildings share a wall, there's no space whatsoever between them, and the facades are perfectly even at the "street" which runs in front of them. In addition you can see how vertical, heavy and imposing the design is. When you walk up to one of those doors the building looms overhead and you get a clear sense of a vertical (and very definite) boundary between the public entrance and the private space inside.
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I took a couple pictures of this one, since it was so striking in person. It's just plain beautiful and I just wish I'd captured the power it radiates better. As you walk up to this building the linear and geometric design pulls your attention to the face of the woman. She's perfectly composed, with eyes closed, intensely focused on her thoughts as she prays. She blocks your way passively but effectively. With disorangized, chaos of your setting reflected in the mirrored glass surrounding her serenity and strength reminding guest to the crypt that the deceased are resting behind her. She reminds me of a cross between an art-deco spiritual icon and an imposing guardian gargoyle.
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